Medialität und Auratisierung: zur Magie der Schrift in Paul Wegeners Der Golem, wie er in die Welt kam

• Beil, Ulrich Johannes ^[1]
  1. [1] University of Zurich

     University of Zurich

     Zürich, Suiza

     
• Localización: Internationales Archiv für Sozialgeschichte der deutschen Literatur, ISSN 0340-4528, Vol. 42, Nº. 2, 2017, págs. 506-527
• Idioma: alemán
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• Resumen

  • Like in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener's silent movie The Golem: How He Came Into The World (1920). The article analyses the complex function of books, inserts and other written documents in the film, points out their medial aspects and exposes in this context also presence effects and moments of self-referentiality.