American cinema in the 1980s is usually seen as having thrown aside the character-driven, questing spirit of the New Hollywood of the late 1960s and 70s in favour of ‘high concept’ spectacles, cartoonish action and the bottom line, with what interesting pockets that remained bubbling up on the indie margins. But amid the era’s ‘Morning in America’ reckoning, there were some filmmakers who kept the flame burning to make personal, often overlooked films that revealed the other side of Reaganism’s patriotic bluster and hollow optimism.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados