The article presents a profile of the 20th-century American art critic Harold Rosenberg. Particular focus is paid to Rosenberg's rivalry with fellow critic Clement Greenberg. The author notes that while Rosenberg was interested in the broader social forces that animate all areas of culture, particularly contemporary American painting, Greenberg was concerned with the formalist criteria of art. Rosenberg, according to the author, believed Greenberg's formalism was much too narrow.
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