The article discusses artist Peter Campus, focusing on his use of video as an art form. The author considers the impact the video camera and comments on his experiences working with Campus at the Everson Museum of Art in Syracuse, New York. Reflection, death, and the concept of the self are considered within the context of Campus' work. A photograph of Campus' installation "Negative Crossing" is presented, as are stills from his videos "Death Threat" and "Head of a Man with Death on His Mind."
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