Xavier Veilhan, Christian Marclay, Lionel Bovier
The authors discuss their collaboration on Studio Venezia, an installation art project for the French Pavilion at the 57th Venice Biennale in Italy. Topics covered include the project's conceptual characteristics, interest in using mechanisms wherein other artifacts are allowed to exist, and the immersive and participatory dimension of installations from the 1990s. Also mentioned are the deconstruction of the studio and musicians' participation in the installation.
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