The article highlights an international and intergenerational exhibition of sound art staged in New York which honored the "Manifesto Bianco" of Emilio Prini. The exhibition was curated by Lorenzo Benedetti, artist/curator Cesare Pietrolusti and composer and musicologist Riccardo Giagni. The exhibition was sponsored by RadioArteMobile, the Rome, Italy-based initiative that maintains an archive of sound art and brings visual and audio projects to life through installations and Internet broadcasts.
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