La mise en scène des voix narratives dans la réécriture de la “Belle dame sans mercy” par Anne de Graville

• Autores: Elisabetta Barale
• Localización: Studi francesi, ISSN 0039-2944, Nº. 186, 2018, págs. 407-415
• Idioma: francés
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• Resumen

  • This article focuses on Anne de Graville’s Rondeaux, a rewriting of Alain Chartier’s Belle dame sans mercy, transmitted by the single manuscript Paris, BnF, fr. 2253. Firstly, the analysis of both the layout and the re-elaboration techniques will allow us to observe that the work brings to the stage a plurality of voices, which correspond to socially well-defined characters, according to the interpretation of the rhetorical conception of the “character”, theorized in the tenth chapter of the Instructif de seconde rhétorique. Furthermore, a thematic investigation based on some lexical choices will show that a particular attention is reserved to the presence of images evoking the game of roles between the lady and the knight; we will finally advance the hypothesis that the Rondeaux take part in a virtual “collaborative community” diachronically engaged in the rewriting of Chartier’s masterpiece.