This contribution situates Gérard de Nerval’s visionary prose and his reports from the Parisian nightlife in a different history of European realism, one that begins around 1800 with the programmatic linking of ‘idealistic’ and ‘realistic’ positions in philosophy and literature and which can been shown, for example, by looking at texts and (linguistic) images from Jean Paul, E. T. A. Hoffmann, and Gustave Courbet.
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