Resumen de THE CASH CANALS OF VENICE.
In this article the author discusses the issues embodied in the biennial art exhibition in Venice, Italy. She is critical of the event as not a guarantee towards a long-term notoriety. She comments that some of the artists and exhibitors in the event will probably be turned into oblivion due to the presence of many participatory names. The effect of the biennial art exhibition on the changes of the artists' prices are also examined.
