The article presents a reprint of the article "Reinhard Mucha," by Christoph Schenker, which appeared in the 1987 issue of "Flash Art International." The author explains why artist Reinhard Mucha seems to be a central figure in the dilemma of aesthetic morals. According to the author, Mucha's installations combine and confront heterogeneous, complementary and at times incommensurable structures and strategies from the most diverse sources.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados