The article presents a profile and discusses the work of the Croatian artist David Maljković. The author points out that Maljković, whose work encompasses a wide range of media, including film, installation and collage, employs his art to question the legacy of Yugoslavia's socialist modernism. The author also discusses the ways in which Maljković manipulates the encounter between the artwork and its audience.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados