The article discusses artist Rosalind Nashashibi's documentary film, entitled "No time or nothing less than time," which examined the lateral and nonlinear movements through space and time and form. Topics discussed include the affective relationships between people and among objects as her subject, her paintings similar to the works of modernists Arthur Dove and Emil Nolde, and a scene in the film which follows mother and daughter artists Elisabeth Wild and Vivian Suter.
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