Madrid, España
Mediante el análisis de cuatro fondos - Tarsila do Amaral, Olívia Guedes Penteado, Assis Chateaubriand and Pietro Maria Bardi, and Ciccillo Matarazzo and Yolanda Penteado- este estudio dibuja un panorama histórico que busca elucidar la red internacional de intereses personales y profesionales que edificaron dichas colecciones, además del papel de las mismas en la consolidacion de São Paulo dentro del sistema global del arte contemporáneo.
Through the analysis of four collections - those of Tarsila do Amaral, Olívia Guedes Penteado, Assis Chateaubriand and Pietro Maria Bardi, and Ciccillo Matarazzo and Yolanda Penteado - This study presents a historical overview that aims to eludicate the international netwok of personal and professional interests that fave rise to these collections, as well as their orele in the consolidation of São Paulo within the global system of contemporary art
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