On the eve of a major retrospective of his films at BFI Southbank in London, the acclaimed Japanese director of Nobody Knows, Still Walking and the Palme d’Or-winning Shoplifters discusses crime and punishment, his instinctive wariness of government authority, his fluency in genres ranging from courtroom dramas to samurai period works – and why he still doesn’t understand Ozu.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados