This article examines how P.E.N., an organisation born in imperial Britain, endeavoured in some cases and floundered in others to create conditions for collaboration between Indian and British writers. Drawing on the P.E.N. archives at the Harry Ransom Center (HRC), I examine communication among and between Indian and British writers in P.E.N.'s orbit during the World War II era and leading up to the Indian Independence Act of 1947. As a forum for collaboration among writers internationally not only to develop writing and editing projects together, but also to forge a unifying conception for the modern era of the relationship between literature and political freedom, P.E.N. aimed to create opportunities for exchange among Indian and British writers. Analysing Indian writers' articulation of the necessary conditions for cross-imperial collaboration, I consider how mutuality was compromised under political conditions of imperialism hinging on hierarchal notions of culture.
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