Resumen de “The discourse of the one thousand works”: the seduction of history and politics of excess

María Álvarez García, Carlos Naya Villaverde, Inmaculada Jiménez Caballero, María Villanueva Fernández, Luis Manuel Fernández Salido, Víctor Larripa Artieda

• In the 70s and 80s hot trading with architectural drawings started thanks to the role played by Schools and Institutions that, throughout publications and exhibitions, opened their treasures to the public. The postmodern cultural context for the celebration of the Centenary of the School of Architecture of Barcelona in 1977 was particularly specific in Spain due to the period of the political transition and the crisis of the architectural school. This paper will focus on how through an ideological use of drawing the reading of history in graphic terms could be used to propose a critical renovation of the architectural school rooted in what has constituted the discipline as so: the disciplinary drawing.