Early hopes in a computer-aided scientific literary criticism have long since faded. Further, the computer's performance of any set task has proved less significant than its creation of a new kind of mental environment. Hypertext has thus elicited new metaphors supporting post-structuralist criticism and added an extra dimension to narrative writing. The digitisation of texts and the globalisation of networks are likely to be the air that criticism will breathe by the year 2000.
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