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Resumen de Making magic

Richard Gordon

  • At first sight, these two volumes represent different views of the task of interpreting material culture: the first seems to announce a post-processual paradigm, emphasising the agency of objects and the ambivalence of meanings in the area of magical practice, whereas the second makes no overt claims about materiality while based firmly on museum objects. In fact, however, the differences between them are rather smaller than first impressions suggest.


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