Resumen de After the Master: The Copy as Origin and Renewal.
The article deals with the copy in an art canon, reflecting on claims that Roman artists copied Greek art works. It explores how denigration made the copy even more antithetical and provocative by contrast in the early 20th century. The move by politicized artists to challenge modernist ideals of art for art's sake is discussed, as well as the impact of the conceptual and media-driven strategies of the Pictures Generation.
