The article explores the representation of glamour in the work of the British sculptor Alice Channer. It analyzes how the artist's works adds visibility to the conditions of their polyphonic production. The depiction of natural objects and the representation of natural elements in her works are discussed, as well as the idea of transformation through encounter based on the book "The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins" by Anna Lowenhaupt Tsing.
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