Sought after and celebrated by his contemporaries, Adam de Coster is now -after Honthorst- one of the most appreciated painters of naturalist nocturnes. The work published here is not only unknown but new to his iconographical repertoire: an Incredulity of Saint Thomas, recorded in the Palazzo Donà delle Rose in Venice. This provides further evidence of the high quality of the Flemish painter's skill, and raises the possibility of an ever more plausible, albeit undocumented, Italian sojourn.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados