Resumen de Jeu du double ou double jeu: les Peintures de Victor Segalen
The painter and the painting meet in Peintures with the feminine figure. Peintures has a new liberated form, essentially concerned with attitude and directing in writing. This work verbally stands by itself. The reader, verbally seduced by the talk of the poem, becomes a spectator. Poetry makes him enter in a visionary space, where differences between image and imagination, writing and painting, visible and words melt. This way, Segalen, on the quiet, delegates the power of the Chinese painting to bare poetry.
