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Du rôle de la phantasia au théâtre et dans le roman

  • Autores: M. Richir
  • Localización: Littérature, ISSN-e 1958-5926, ISSN 0047-4800, Nº 132, 2003 (Ejemplar dedicado a: Littérature et phénoménologie.), págs. 24-33
  • Idioma: francés
  • Títulos paralelos:
    • Of the Role of Phantasia in Theatre and in the Novel
  • Texto completo no disponible (Saber más ...)
  • Resumen
    • Husserl distinguishes clearly between imagination (Einbilfung) and Phantasie, for which we will use the Greek phantasia; the former involves an intentionally represented (either concretely or in the mind) object, which therefore has a kind of presence, whereas the latter is diverse, changing, and above all exists without any kind of presence. The way the public understands the actor to represent a character therefore depends on phantasia (because the actor is not an imagined character, nor is he himself when acting badly); and the reading of novels, even more so.


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