Tomando como ejemplo las películas de Icíar Bollaín, Isabel Coixet y Tania Hermida, se analizan diferentes estéticas transnacionales del cine contemporáneo en el contexto del desarrollo de las culturas cinematográficas. Los resultados se comparan con las críticas sobre las películas para hacer un balance entre el deseo de identificación a nivel nacional y los retos del cine arte que se dirige a diferentes culturas e intenta cambiar los hábitos de percepción.
Considering the films of Icíar Bollaín, Isabel Coixet and Tania Hermida, diffe-rent approaches to transnational aesthetics in contemporary cinema are shown and related to their context of developing cinema cultures. The results are compared with film critiques by evaluating their notions of identity and national cinema. The final discussion is about the aims of arthouse cinema in different cultures and its tendency to change the habits of perception.
Considering the films of Icíar Bollaín, Isabel Coixet and Tania Hermida, diffe-rent approaches to transnational aesthetics in contemporary cinema are shown and related to their context of developing cinema cultures. The results are compared with film critiques by evaluating their notions of identity and national cinema. The final discussion is about the aims of arthouse cinema in different cultures and its tendency to change the habits of perception.
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