This article examines how time and space-time relate to eco-critical films and their charge of intervening in issues dealing with environmentalism. From the earliest films the question of capturing the truth gave impetus to the desire to represent reality accurately, including its social and political ‘truths’. Increasing concerns over the environment have come to mean that filmmakers have also felt the necessity to present eco-critical dramas.The drama has been how to create environmentally significant films without condescending to the viewers.
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