The aim of this paper is to compare the ways in which some of Europe’s most important colonial museums displayed their exhibits—how colonial territories and colonial subjects were represented through visual exhibition, how the display cases were arranged, which objects and artefacts were presented and in what sequence—as the clearest possible representation of the biological, technological, and cultural superiority of Europe with respect to the populations on display. The paper will therefore emphasise both the differences and different histories as well as the similarities between colonial museums in Europe. In fact, while acknowledging that there are special features linked to the differing conditions of both the motherland and her overseas territories, a common cultural horizon can be found in the different national museums taken into consideration here and in the interpretation of the inherent propaganda such institutions promoted.
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