ART WORKS Projects: Claiming Public Space for Human Rights

• Leslie Thomas ^[1]
  1. [1] ART WORKS Projects, Estados Unidos
• Localización: Revista Electrónica de Derecho Internacional Contemporáneo: REDIC, ISSN-e 2618-303X, Vol. 3, Nº. 3, 2020, págs. 167-170
• Idioma: inglés
• Enlaces
  • Texto completo
• Resumen

  • ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation first of the DARFUR/DARFUR exhibition of large-scale exterior projections and eventually to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could happen to policymakers, voters, and ultimately, perpetrators.