This paper focuses on serial fiction narratives to discuss the changing landscape of audiovisual consumption with the emergence of digital media and the Internet. In a scenario in which contents are detached from their traditional devices and accessed in different gadgets, we identify contemporary modalities of audiovisual consumption of television shows, analyze and debate their reinvention. To do so, we use bibliographical and documental research, in an exploratory approach. We understand that audiovisual content detaches itself from the television set and becomes portable with the use of mobile devices, and endowed with a fluid temporality – it can be watched at any time, paused and continued. In this context, practices are reinvented and renewed with time; and the creation of new forms of experience of television content does not mean the elimination of another: they coexist, articulating and influencing each other mutually.
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