Beethoven in the House: Digital Studies ofDomestic Music Arrangements
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Kevin R. Page [1] ; Johannes Kepper [2] ; Christine Siegert [3] ; Andrew Hankinson [4] ; David Lewis [1]
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[1] University of Oxford
University of Oxford
Oxford District, Reino Unido
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[2] Paderborn University, Germany
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[3] Beethoven-Haus Bonn, Germany
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[4] RISM Digital Center, Switzerland
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- Localización: Music Encoding Conference Proceedings 2021, 19–22 July, 2021 University of Alicante (Spain): Onsite & Online / Stefan Münnich (dir. congr.), David Rizo Valero (dir. congr.), 2022, ISBN 978-84-1302-173-7, págs. 117-123
- Idioma: inglés
- Enlaces
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Resumen
Performance of music in the home was the means by which most works were received before the advent ofaudio recordings and broadcasts, yet the notation sources that form our primary record of this culture havenot been the subject of comprehensive or methodical study. Choices made by arrangers adapting music fordomestic consumption – of instrumentation, abbreviation, or simplification – reflect the musical life of the 19thcentury, and can inform our understanding alongside contemporary accounts such as newspapers, adverts,and diaries.This position paper gives the background, motivation, and proposed approach of research currently beingundertaken within the Beethoven in the House project.1 This will include a study of Steiner editions of Beethoven’s 7th and 8th Symphonies and Wellingtons Sieg, making a detailed comparison between arrangements, systematically identifying a core common to multiple versions, and asking if this reflects the stated values of thepublisher. A second survey will look for patterns across a larger sample of lesser-known and poorly cataloguedscores, collating emergent indicators of arrangers’ motivations within a narrative of the domestic market – themusic industry of its day. Both studies will innovate digital methods which characterise arrangements as musicencodings, including ‘sparse’ approaches to notation and annotation.
