La digitalizzazione per la documentazione, lo studio e la fruizione di un sito archeologico: la VR experience del teatro di Ricina

• Paolo Clini ^[1] ; Renato Angeloni ^[1] ; Mirco Da Alessio ^[1] ; Roberto Perna ^[2] ; David Sforzini ^[2]
  1. [1] Marche Polytechnic University

     Marche Polytechnic University

     Ancona, Italia

     
  2. [2] University of Macerata

     University of Macerata

     Macerata, Italia

     
• Localización: Archeologia e calcolatori, ISSN 1120-6861, Vol. 33, Nº. 1, 2022, págs. 279-296
• Idioma: italiano
• Enlaces
  • Texto Completo Ejemplar
• Resumen

  • This paper presents a workflow developed thanks to the collaboration between archaeologists and engineers, aimed at the documentation, representation and virtual fruition of an archaeological site. The purpose is to exploit the data acquired through digital solutions and the consequent elaboration of a reality 3D model to support archaeological studies and to effectively disseminate their results. The presented case study is the Roman Theatre of Ricina (Villa Potenza, MC). The building has preserved much of its masonry, but it is very different from that which could be appreciated by the audience of theatrical performances in Roman times. The work has been developed according to three steps: 1) digital documentation of the site and elaboration of a reality-based 3D model; 2) study of the archaeological finds thanks to the reality-based 3D model and design of a possible reconstruction, represented through a second 3D model elaborated by anastylosis; 3) development of a Virtual Reality environment for the fruition and the interaction with the two 3D models. The final output is therefore an immersive VR application that offers the possibility to access to the theatre both in its current form and in the original one. An experience that is not limited to a simple visualization rather presenting itself as a guided tour across the centuries.