A new model for Spanish cinema: authorship and globalization: the films of Javier Rebollo

Manuel Palacio ^[1] ; Juan Carlos Ibañez ^[1] ; Lerau Bret ^[1]
1. [1] Universidad Carlos III de Madrid
  
  Universidad Carlos III de Madrid
  
  Madrid, España
Localización: Journal of Spanish Cultural Studies, ISSN 1463-6204, ISSN-e 1469-9818, Vol. 16, Nº. 1, 2015, págs. 29-43
Idioma: inglés
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Resumen
- This essay explores a new model of Spanish cinema established by a group of filmmakers who have entered the field in the last decade. These new film practices are related to changes in technological, cultural and social processes in a transnational context and to how some film critics understand film aesthetics. To illustrate these issues, we will examine the case of Javier Rebollo, a filmmaker and producer of three feature films, the coproductions Lo que sé de Lola/Ce que je sais de Lola (2006), La mujer del piano (2010) and El muerto y ser feliz (2012). The essay will engage with questions of reception and auteurism and with the construction of the cinematic canon in Spain.