Resumen de La Tomba di Giulio II a Roma: dal rilievo fotogrammetrico alla stampa 3D per non vedenti
Sara Gonizzi Barsanti, Adriana Rossi
3D printing artefacts and monuments allows blind and visually impaired people to discover,understand and enjoy the beauty of Cultural Heritage. The reproduction of the artefactsusually starts with the 3D survey with reality-based techniques in order to obtain their metric,accurate digital copy. With a proper post-processing, the digital model is then set up ready forthe printing. The result is a physical model that can be touched and inspected, making the artvisible to everyone.This paper presents the pipeline followed for the 3D reproduction of the famous Michelangelo’sTomb of Giulio II, visible in San Pietro in Vincoli church in Rome. The photogrammetricsurvey is descripted and evaluated, and all the process followed to postprocess the 3D modelin order to make it countable for the 3D printing. A particular attention was given to theproblems occurred during the survey (lack of space, lights) and then the postprocessing relatedto the creation of different printed physical models. The fi nal models have been printed inaccomplish with the requests of the costumer, in order to make them suitable for blind people.
