The author reflects on the theme of the announcement through the paintings the Annunciata by Antonello da Messina and Annunciazione by Alberto Savinio, which are revisited from a key provided by the phenomenology of the donation of Jean-Luc Marion. The essay emphasizes the bond, often unnoticed, between word and promise. This bond concerns the announcement as a particular mode of expression of language, but in the case of the Annunciation it is consolidated and grows up to become the root from which each word originates, the distinctive feature of each language.
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