An Emotion That Seems to Be No Play: Deleuze on Kantian Sublime

• Autores: Daniela Angelucci
• Localización: Kant on Emotions: Critical Essays in the Contemporary Context / coord. por Mariannina Failla, Nuria Sánchez Madrid, 2021, ISBN 9783110720716, págs. 121-137
• Idioma: inglés
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• Resumen

  • The intent of the present chapter is not to provide an exhaustive account of Gilles Deleuze’s reading of Kantian aesthetics, but rather to show how Kantian thought, and in particular, the concept of sublime, reappear in Deleuze’s books on cinema. The sublime appears both in the first volume, “The Movement-Image”, where it is explicitly mentioned, as well as in the second, “The Time-Image”, where it is a sort of precursor to the focus of this volume: the idea of time in itself. My main claim is that Kant can be considered an antecedent to the crystal-image, that is, the genetic moment of the time-image-one of the most powerful concepts created by Deleuze.