The article presents a new work, considered lost until now, by the Roman painter Filippo Lauri (1623-1694); thanks to a reference made by Francesco Saverio Baldinucci it can be dated with certainty to the artist's youthful period. The rediscovered painting enables us to focus on the formal links with his master Angelo Caroselli and opens new avenues of research on the years Lauri spent in Caroselli's workshop between the late 1630s and early 1640s.
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