This article examines the processes of ruination that are at work in democratic Spain through Xavier Artigas and Xapo Ortega’s 2014 documentary Termitas: El Observatorio DESC contra Bárcenas, which delves into the “Bárcenas case”, a political scandal involving the illegal financing of the (at the time) ruling conservative party, which showed the role that the judiciary plays in fostering corruption. The documentary argues that the ongoing ruination of democracy in Spain cannot be blamed on individual instances of corruption involving public officials and institutions, but rather that it is ingrained in the structures of the system. To give material shape to this elusive structural corruption, the documentary uses the metaphor of termite infestation, suggesting that fighting it requires more than merely scratching the surface. It demands a four-step process: detect the signs of its presence, locate the nest, be vigilant and, ultimately, exterminate it.
Through the work of Ann Laura Stoler and Rob Nixon, the goal of this article is to analyze how the termite metaphor invites us to rethink – figuratively, materially and affectively – systemic corruption as an ongoing process of ruination whose material effects do not unfold instantly, but slowly across space and time. By paying attention to the time gap between the cause of ruination and the eventual manifestation of its long-delayed effects, the documentary makes visible how systemic corruption slowly fades from public memory, resulting in political and legal inaction, and consequently, impunity. The article concludes by suggesting that while the termite metaphor gives systemic corruption a tangible materiality upon which viewers can act, the documentary’s call for the extermination of the termites as the ultimate form of resistance fails to capture its political message.
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