The article studies a theatrical project staged at Teatro de la Comedia in Madrid by Alberto Conejero, with Susi Sánchez y José Troncoso, based on El príncipe constante by Calderón: Esta primavera fugitiva (Varaciones sobre «El príncipe constante» de Calderón de la Barca). The performance was commissioned by Compañía Nacional de Teatro Clásico and staged on 17th of March 2021. The playwright converged several voices in his personal recast to manifest the strength and universality of El príncipe constante. The mise-en-abyme effect is stressed by the presence of Alberto in his play, as well as the mention of Jerzy Grotowski, Ryszard Cieślak and Juliusz Słowacki, the author of the Polish version of The Constant Prince. Different testimonies confirm the fundamental function of theater as ars vitae.
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