This contribution aims to reconstruct the production of Nicolas Perrey, a Burgundian engraver active in Naples from the 1610s to the early 1660s. The essay relies on documentary sources and carefully analyzes his style via a selection of hits prints. The first section is devoted to Perry's engravings that enage with late Roman and Neapolitan Mannerism. The second section focuses on Perrey's portraits of illustrious figures, derived instead from pictorial or graphic prototypes of naturalist and Baroque artists
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