Searching for sustainable alternatives and socio-cultural innovation through participatory art and design

• António Gorgel Pinto ^[1] ; Paula Reaes Pinto ^[2]
  1. [1] Universidade Europeia

     Universidade Europeia

     Socorro, Portugal

     
  2. [2] Universidade de Évora

     Universidade de Évora

     Senhora da Saúde, Portugal

     
• Localización: Tradition and Innovation / Mário Say Ming Kong (aut.), Aleksander Józef Olszewski (aut.), Martin Simonson (aut.), Andreia Garcia (aut.), Jorge Nunes (aut.), José Lopes Morgado (aut.), Santi Centineo (aut.), Andrea Iezzi (aut.), Irina Seits (aut.), Taisia S. Paniotova (aut.), Maxim Romanenko (aut.), Valdomiro Ceolin (aut.), Francisco Oliveira (aut.), Margarida Louro (aut.), Carla Chiarantoni (aut.), António Leite (aut.), Denise Gaudiot (aut.), João Pernão (aut.), Laura Martins (aut.), Andre Santos (aut.), Catarina Rosa e Silva de Albuquerque (aut.), Jéssica Costa (aut.), Ljiljana Čavić (aut.), Leonardo Barros (aut.), Maria Luisa Trindade Bestetti (aut.), Mariana Alves da Silva do Nascimento (aut.), Maria Madalena Aguiar da Cunha Matos (aut.), Maria da Luz Sampaio (aut.), Clara Vale (aut.), João B. Menezes de Sequeira (aut.), Artur Renato Ortega (aut.), Silvana Weihermann (aut.), Eduardo Francisco Durao Antunes (aut.), Pedro Miguel Gomes Januario (aut.), Paulo Jorge Garcia Pereira (aut.), Verner Monteiro (aut.), Maísa Veloso (aut.), Bárbara Silva (aut.), Mário Bruno Cruz (aut.), Clara Germana Gonçalves (aut.), Maria João Moreira Soares (aut.), Joao Miguel Couto Duarte (aut.), Raffaella Maddaluno (aut.), João Silva Jordão (aut.), María da Soledade Gómez Paiva de Sousa (aut.), Miguel Baptista Bastos (aut.), Alex Nogueira Rezende (aut.), José Vitor Correia (aut.), Ana Vasconcelos (aut.), José Cabral Dias (aut.), Eneida Kuchpil (aut.), Kate O’Connor (aut.), Sandra da Mouta Brito (aut.), Madalena Pinto Da Silva (aut.), Helena Paula Abreu de Carvalho (aut.), Marta Labastida (aut.), Maria Eunice da Costa Salavessa (aut.), José Tadeu Marques Aranha (aut.), Viviana Sofia Hipólito Frutuoso (aut.), Amilcar de Gil Pires (aut.), Wenyu Qi (aut.), João Guerreirinho (aut.), Hirbod Norouzianpour (aut.), David Weiss (aut.), Calogero Montalbano (aut.), José Silveira Dias (aut.), Fernando Moreira da Silva (aut.), Ana Moreira da Silva (aut.), Caio Marcelo Miolo de Oliveira (aut.), Rita Almendra (aut.), Ana Rita Lourenço (aut.), Tiago Perez Leitão Maciel (aut.), António Gorgel Pinto (aut.), Alberto Cruz Reaes Pinto (aut.), Gizela Horvath (aut.), Maria João Castro (aut.), António Canau (aut.), Szymon Wróbel (aut.), Isabel Gomes de Almeida (aut.), Guilherme Borges Pires (aut.), Kim Groop (aut.), María do Rosário Pimentel (aut.), Rodolfo Nogueira da Cruz (aut.), Maria Leonor García da Cruz (aut.), Olinda Kleiman (aut.), Ana Paula Avelar (aut.), Fernando Jorge Oliveira Ribeiro (aut.), Mário Carlos Fernandes Avelar (aut.), Angélica Varandas (aut.), Maria de la Salette da Costa Loureiro (aut.), Margarida Rendeiro (aut.), Raúl Montero Gilete (aut.), Eduardo M. Raposo (aut.), Gonçalo Falcão (aut.), Paulo Simões (aut.), Ana Cristina dos Santos Guerreiro (aut.), Maria da Graça dos Santos Antunes Moreira (aut.), Ana Pereira Neto (aut.), Ana Isabel Runa (aut.), Iuliana Borbely (aut.), Ermanno Aparo (aut.), Liliana Soares (aut.), Paula Maria Vieira Reaes Pinto (aut.), 2021, ISBN 9780429297786
• Idioma: inglés
• Enlaces
  • Texto Completo Libro
• Resumen

  • Participatory arts and design belong to an area of knowledge characterized by transdisciplinarity. Based on this understanding, it is useful to look for influences in different social engagement practices with communities, namely the different methodologies and methods, and the appropriate means of expression for developing participatory actions and their communication with other audiences. This is the logic that runs through the initiatives that we have created and that we present here as case studies: More South, Catapult, and Shifting Ground projects.Before presenting the projects, an argument is woven based on the development of disciplinary knowledge and the existence of intersubjectivity between all areas of knowledge. In participatory visual arts and design, the empirical experience is also valued alongside the theoretical and/or practical domain of a particular area. Some artistic practices that demonstrate the paradigm in question are examples and features highlighting the holistic character and ethical dimension of participatory artistic practices.We highlight the tradition of disciplinary knowledge as a fundamental area for deepening artistic knowledge, but we argue that it should coexist with other information and understanding sources. Innovation in participatory art and design depends on the simultaneous development of both approaches; one more focused on the medium of expression and the respective discipline, and the other on the expansion to other domains and agents.