Ha sido reseñado en:
Spanish cinema: estudios sobre cine español para el ámbito anglosajón
Antonio M. Rueda, Tatjana Pavlovic
Archivos de la filmoteca: revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 66, 2010, págs. 151-153
Recent scholarship in Spanish Film Studies
Journal of Iberian and Latin American Studies, ISSN-e 1469-9524, ISSN 1470-1847, Vol. 16, Nº. 2-3, 2010, págs. 225-229
The Fantastic Factory: the horror genre and contemporary Spanish cinema
págs. 27-43
Trailing the Spanish auteur: Almodóvar's, Amenábar's and de la Iglesia's generic routes in the US market
págs. 44-64
"Now playing everywhere": Spanish horror film in the marketplace
págs. 65-86
From Sevilla to the world: the transnational and transgeneric initiative of La Zanfoña Producciones
págs. 87-106
Justino, un asesino de la tercera edad: Spanishness, dark comedy and horror
págs. 107-121
Tracing the past, dealing with the present: notes on the political thriller in contemporary Spanish cinema
págs. 122-132
Selling out Spain: screening capital and culture in Airbag and Smoking Room
págs. 133-156
The transvestite figure and film noir: Pedro Almodóvar's transnational imaginary
págs. 157-178
Caressing the text: episodic erotics and generic structures in Ventura Pons's "Minimalist Trilogy"
págs. 179-201
Horror of allegory: Tha Others and its contexts
págs. 202-218
Love, loneliness and laundromats: affect and artifice in the melodramas of Isabel Coixet
págs. 219-240
Dancing with "Spanishness!: Hollywood codes and the site of memory in the contemporary film musical
págs. 241-258
Immigration films: communicating conventions of (in)visibility in contemporary Spain
págs. 259-278
Spanish-Cuban co-productions: tourism, transnational romance and anxieties of authenticity
págs. 279-296
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