Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church�s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.
Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward
Encountering a Dream-Vision: Visual and Verbal Glosses to Guillaume de Digulleville's Pelerinage Jhesucrist
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Turning the Pages: Marginal Narratives and Devotional Practice in Gothic Prayerbooks
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Exploring the Border: the Breviary of Eleanor of Portugal
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Inhabiting Alphabetic Space: Early Modern Architectural and Human Alphabets
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Still Walking: Spiritual Pilgrimage, Early Dutch Painting and the Dynamics of Faith
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Pilgrimage through the Pages: Pilgrims' Badges in Late Medieval Devotional Manuscripts
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Prayers and Promises: The Interactive Indulgence Print in the Later Middle Ages
Walter S. Gibson
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Art and Advertising: Late Medieval Altarpieces in Germany
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Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes�s Vienna Diptych
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Communicating with the Eucharist: Sacramental Images and Spiritual Communion
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The fairest of them all: Reflections on Some Fourteenth-Century Mirrors
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Bones and Stones: Imaging Sacred Defense in Medieval Cologne
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Hugging the Saint: Improvising Ritual on the Pilgrimage to Santiago de Compostela
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Cradling Power: Female Devotions and Early Netherlandish
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Illusionism and Interactivity: Medieval Installation Art, Architecture and Devotional Response
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Consorting with stone: The figure of the speaking and moving statue in early modern Italian writing
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Images, Efficacy & Ritual in the Renaissance: Burning the Devil and Dusting the Madonna
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The Pilgrim's Progress: Devotional Journey through the Holy Womb
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Memento Mori: The Deadly Art of Interaction
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Christian Crusade as Spectacle: The Cavalieri di Santo Stefano and the Audiences for the Medici Weddings of 1589 and 1608
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Intellectual Projection, Liminal Penetration: Programmed Entry and the Tympanum-less Portals of Western France and Northern Spain
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Bodies under Wraps, Revealed: Interaction in twelfth-century French sculpture
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Movement, Metaphor and Memory: The Interactions Between Pilgrims and Portal Programs
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The Grand Procession at Tournai: the Community Writ Large
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