Introduction: the politics of interculturalism, intertextuality and hybridization
págs. 1-20
Marginalizing the canon: national literature in the age of globalization
págs. 22-38
Taste of margin: the third world dream of the canon re-evaluated
págs. 39-45
págs. 46-61
Building and ploughing: some connections between T. S. Eliot´s "The rock" and William Langland´s "Piers plowman"
págs. 105-115
"In the shadow of the necropolis": historylessness, tradition and (Re-)creation in Janice Galloway´s "Foreign Parts"
págs. 64-74
" I lay back and thougth ob Bushmanland": parody of old forms, satiric devices and reality in Csristopher Hope´s "Darkest England"
págs. 75-92
"Old" romance and "New" magic realism: a case of generic reincarnation
págs. 93-104
págs. 116-126
Inheriting traditional roles of american female growth: from Louisa May Alcott´s "Little women" to Jeffrey Eugenides´"The virgin suicides"
págs. 127-135
Rewriting tradition in the old and new world: "The holder of the world" and "The tree bride" by Bharati Mukherjee
págs. 136-143
págs. 146-159
Code 46: a science-fictional oedipus or jocasta given a voice
págs. 160-166
The old masters and young viewers: visual tradition in american ekphrastic poetry
págs. 167-173
Epitaph for Victor: migrations of identity
págs. 174-187
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