The third International Conference on Technologies for Music Notation and Representation seeks to focus on a set of specific research issues associated with Music Notation that were elaborated at the first two editions of TENOR in Paris and Cambridge. The theme of the conference is vocal music, whereas the pre-conference workshops focus on innovative technological approaches to music notation.
Digitization of historial music archives: preserving the past, embracing the future
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págs. 17-23
págs. 25-32
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Formalizing quality rules on music notation. An ontology-based approach
Samira Cherfi, Fayçal Hamdi, Philippe Rigaux, Virginie Thion, Nicolas Travers
págs. 91-97
Timed sequences: a framework for computer-aided composition with temporal structures
págs. 131-136
The house harmonic filler: interactive exploration of chord sequences by means of an intuitive representation
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Vexations of ephemerality: extreme sight-reading in situative scores - for makers, performers, audiences
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págs. 191-200
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