This collection of essays examines current trends in scholarly research on Spanish author Carmen Martin Gaite (1925-2000). It concentrates on the least explored areas of Martin Gaite's oeuvre, such as her collage artwork, the relationship between image and text in her work, and her close relationship with themes such as genre writing, the fairy tale, and textual/physical notions of space, as well as her personal theories on orality and narration. As we pass the tenth anniversary of her death, Martin Gaite continues to be an increasing focus of study, as scholars start to identify and comprehend the breadth and scope of her work. The essays in the volume complement previous studies of Martin Gaite's major works from the 1960s and 1970s by focusing largely on her later novels, together with in-depth analysis of the manuscripts and artistic materials that have been made available since her death.
págs. 11-34
Moving beyond identification: Carmen Martín Gaite, from passionate reader to co-scriptwriter on RTVE's "Celia" (1993)
págs. 35-50
págs. 51-80
Martín Gaite's Vision de Nueva York: collage of public and private space
págs. 81-98
The home as palimpsest: "Nubosidad variable", "Lo raro es vivir" and "Irse de casa"
págs. 109-134
Gender and space in Carmen Martín Gaite's: "Nubosidad variable" and "La reina de las nieves"
págs. 135-158
Back to the local: the representation of Galicia in Carmen Marti´n Gaite's "Retahílas"
págs. 159-172
The gothic in Martín Gaite's "El cuarto de atrás": destabilizing the Sección Feminina's myth of "La mujer muy mujer"
págs. 173-188
"La reina de las nieves": retelling Andersen as a parable of the Spanish Republic and "desmemoria"
págs. 189-218
Carmen Martín Gaite's "Cuadernos de todo": a writer's diary / a writer's workshop
págs. 233-258
"El cuarto de atrás" and "Soldados de Salamina": from the recuperation of memory to marketing memories
págs. 259-276
págs. 277-296
Coda: editing one of Martín Gaite's notebooks, or The Sewing Studio
págs. 297-302
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