Interrealtionships among Gregorian Chants: an alternative view of creativity in early chant
págs. 1-40
págs. 41-74
Polymetric Rondeaux from Machaut to Dufay: some style-analytical observations
págs. 75-108
Aggio visto lo mappamondo: a new reconstruction
págs. 109-120
Melodic structure in the Parisian Chanson: a preliminary study in the transmission of a musical style
págs. 121-190
Popularity in the sixteenth-century Madrigal: a study of two instances
págs. 191-212
Monteverdi's mimetic art: L'Incoronazione di Poppea
págs. 213-236
págs. 237-292
págs. 293-338
págs. 339-380
Stylistic maturity and regional influence: Joseph Martin Kraus's Symphonies in C Minor (Stokholm, 1782) and C Minor (Vienna, 1783?)
págs. 381-418
págs. 419-424
Mozart's D-Major Horn Concerto: questions of date and of authenticity
págs. 425-440
págs. 441-480
Classical and romantic principles in Schubert's Lieder: "Auf dem See" and "Des Fischers Liebesglück"
págs. 481-504
The Inquisitor's scene in Verdi's "Don Carlos": Thoughts on the Drama, Libretto and Music
págs. 505-534
The influence of Peasant Music on the finale of Bertók's Piano Sonata: an assignment for musicological analysis
págs. 535-555
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