págs. 15-47
'My Story is better than yours': The changing politics of and motives for composing Southern African American Life Narratives
págs. 51-68
Working a lever: Booker T. Washington's autobiographies as tools for social change
págs. 69-82
'I knew then who I was': memory, narrative, and sense of self in autobiographies of the Jim Crow South
págs. 85-94
Daily encounters: The coming of Age of Melton A. McLaurin
págs. 95-109
Life writing in poetry and prose: Natasha Trethewey's personal and national revelations
págs. 111-125
Southern autobiography around the Table of Brotherhood: a dream deferred, a dream deceased, a dream destroyed, a dream dismissed?
págs. 127-141
Memoirs' characters: writer, narrator, protagonist
págs. 145-159
págs. 161-175
"A someone somewhere": locating Richard Ford's Soutern self in his fiction and non-fiction
págs. 177-191
Self-fashioning and Philippe Labro's: "Southern memoir" The Foreing Student
págs. 193-214
Appalachian women's autobiographies from the margins: crossing the boundaries of the genre
págs. 217-234
"Pariahs for flattering reasons": confessions of failed Southern ladies on the black help
págs. 235-252
"A Tarnished Lady": Tallulah Bankhead's Southern Performance in Hollywood
págs. 253-264
Grief and humor: Appalachian writers using autobiography to find a way home
págs. 265-286
The self elsewhere: Alice Walker's identity in the wider world
págs. 289-301
Reflecting on the region, revisioning the self: John Gould Fletcher's Song of his life and its transatlantic contex
págs. 303-316
The physicality of reminiscence: the stimuli of the South in Bobbie Ann Mason's Clear Springs : A memoir
págs. 317-335
Coming to the End: the perception of mortality in the autobiographical writing of Reynolds Price and Tim McLaurin
págs. 337-359
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