Información General

• Autores: Jo Labanyi (coord.), Tatjana Pavlovic (coord.)
• Editores: Wiley-Blackwell
• Año de publicación: 2013
• País: Estados Unidos
• Idioma: inglés
• ISBN: 978-1-4051-9438-9
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Spanish cinema: estudios sobre cine español para el ámbito anglosajón

    Antonio M. Rueda, Tatjana Pavlovic

    Archivos de la filmoteca: revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 66, 2010, págs. 151-153

  • Reseñas

    Álvaro Baquero-Pecino (res.), Eva Velasco (res.), Helen Freear-Papio (res.)

    Siglo XXI, literatura y cultura españolas: revista de la Cátedra Miguel Delibes, ISSN 1697-0659, Nº. 11, 2013, págs. 185-192

Resumen

• A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives.

  Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction

    Jo Labanyi, Tatjana Pavlovic

    pág. 1

    

  • Part I. Reframing the National

    • Transnational Frameworks

      Gerard Dapena, Marvin D'Lugo, Alberto Elena Díaz

      pág. 15

      

    • Echoes and Traces: Catalan Cinema, or Cinema in Catalonia

      Brad Epps

      pág. 50

      

    • Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia

      José F. Colmeiro, Joseba Gabilondo Alberdi

      pág. 81

      

  • Part II. The Construction of the Auteur

    • Auteurism and the Construction of the Canon

      Marvin D'Lugo, Paul Julian Smith

      pág. 113

      

    • Strategic Auteurism

      Antonio Lázaro Reboll, Steven Marsh, Susan Martín-Márquez, Santos Zunzunegui Díez

      pág. 152

      

  • Part III. Genre

    • Comedy and Musicals

      Steven Marsh, Chris Perriam, Eva Woods Peiró, Santos Zunzunegui Díez

      pág. 193

      

    • Melodrama and Historical Film

      Jo Labanyi, Annabel Martín, Vicente Rodríguez Ortega

      pág. 224

      

    • "Film Noir", the Thriller, and Horror

      Jo Labanyi, Antonio Lázaro Reboll, Vicente Rodríguez Ortega

      pág. 259

      

  • Part IV. Stars as Cultural Icons

    • The Construction of the Star System

      Kathleen M. Vernon, Eva Woods Peiró

      pág. 293

      

    • Stars, Modernity, and Celebrity Culture

      Tatjana Pavlovic, Chris Perriam, Núria Triana Toribio

      pág. 319

      

  • Part V. Image and Sound

    • Photography, Production Design, and Editing

      Vicente Sánchez Biosca

      pág. 345

      

    • Soundtrack

      Román Gubern Garriga-Nogues, Kathleen M. Vernon

      pág. 370

      

  • Part VI .The Film Apparatus: Production, Infrastructure, and Audiences

    • Censorship, Film Studios, and Production Companies

      Josetxo Cerdán de los Arcos, Román Gubern Garriga-Nogues, Jo Labanyi, Steven Marsh, Tatjana Pavlovic, Núria Triana Toribio

      pág. 391

      

    • Film Clubs, Festivals, Archives, and Magazines

      Ferran Alberich, Román Gubern Garriga-Nogues, Vicente Sánchez Biosca

      pág. 434

      

    • Audiences

      Manuel Palacio Arranz, Kathleen M. Vernon

      pág. 464

      

  • Part VII. Relations with Other Media

    • Cinema, Popular Entertainment, Literature, and Television

      Sally Faulkner, Vicente Sánchez Biosca, Paul Julian Smith

      pág. 489

      

  • Part VIII. Beyond the Fiction Film

    • Newsreels, Documentary, Experimental Film, Shorts, and Animation

      Josetxo Cerdán de los Arcos, Vicente Sánchez Biosca

      pág. 521

      

  • Part IX. Reading Films through Theory

    • Isabel Coixet’s Engagement with Feminist Film Theory: From G (the Gaze) to H (the Haptic)

      Susan Martín-Márquez

      pág. 545

      

    • Becoming a Queer (M)Other in/and/through Film: Transsexuality, Trans-subjectivity, and Maternal Relationality in Almodóvar’s "Todo sobre mi madre"

      Julián Daniel Gutiérrez Albilla

      pág. 563

      

    • The Space of the Vampire: Materiality and Disappearance in the Films of Iván Zulueta

      Brad Epps

      pág. 581