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Introduction: [The British short story, still marginal after all these years?]
págs. 1-14
Genre and Gender in British Modern and Contemporary Short Fiction: a Meta-Critical Approach
págs. 17-38
The Legacy of Angela Carter: Ethics and Authorial Performance in Contemporary Short Fiction by Women
págs. 41-62
In the Company of Wolves: Women’s Fairy Tales after Carter
págs. 63-81
Tales of Femininity and Sexuality: Competing Discourses and the Negotiation of Feminisms Today
págs. 85-101
Genealogies of Women: Discourses on Mothering and Motherhood in the Short Fiction of Michèle Robert
págs. 102-122
"Oh Yes, Women Get Erect": Dismantling Sexual Standards in Jeanette Winterson’s Short Fiction
págs. 123-143
págs. 147-168
What’s in an Echo?: Voice, Gender and Genre in Ali Smith’s Short Stories
págs. 168-190
In a Different Voice: Janice Galloway’s Short Stories
págs. 191-214
Speaking from Border Country: Colour as Fluid Identity Factor in the Short Stories of Jackie Kay
págs. 215-232
Stories Told and Untold: Re-Gendering the First World War through Centenary Narratives
págs. 235-252
págs. 253-270
"Why Don’t You Have a Go at a Novel?": Gender through Genre in Helen Simpson’s Stories
págs. 271-291
págs. 295-315
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