Información General

• Autores: Borja Franco Llopis (coord.), Antonio Urquízar Herrera (coord.)
• Editores: Brill
• Año de publicación: 2019
• Colecciones: The Medieval and Early Modern Iberian World, 67
• País: Países Bajos
• Idioma: inglés
• ISBN: 978-90-04-39016-4
• Texto completo no disponible (Saber más ...)

Resumen

• This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book's point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Part 1. Images and Conversion

    • At the Foot of the Cross: Picturing Divine Justice and Conversion in Valencian Retables, ca. 1400

      Amadeo Serra Desfilis

      págs. 13-39

      

    • Jews Imagined and Real: Representing and Prosecuting Host Profanation in Late Medieval Aragon

      Yonatan Glazer Eytan

      págs. 40-69

      

    • Converting Jews through Preaching and Painting in the Kingdom of Aragon, ca. 1400

      María Portmann

      págs. 70-88

      

    • On Converso Artists in the Spanish Golden Age

      Fernando Marías

      págs. 89-118

      

  • Part 2. The Visual Negotiation of Hybridity

    • Hispania, Al-Andalus, and the Crown of Castile: Architecture and Constructions of Identity

      Juan Carlos Ruiz Souza

      págs. 121-138

      

    • Reassessing the Artistic Choices of the Castilian Nobility at the End of the 14th Century

      Elena Paulino Montero

      págs. 139-160

      

    • Converso Patronage, Self-Fashioning, and Late-Gothic Art and Architecture in 15th-Century Castile

      Nicola Jennings

      págs. 161-186

      

    • Islamic Objects in the Material Culture of the Castilian Nobility: Trophies and the Negotiation of Hybridity

      Antonio Urquízar Herrera

      págs. 187-212

      

    • slamic Rugs in the Painting of the Eastern Adriatic: Use and Iconography in the Early Modern Period

      Ivana Čapeta Rakić

      págs. 213-232

      

  • Part 3. A Different Otherness in the Mediterranean

    • Confronting Islam: Images of Warfare and Courtly Displays in Late Medieval and Early Modern Spain

      Borja Franco Llopis, Francisco de Asís García García

      págs. 235-265

      

    • Scary Neighbours and Imperial Strategy: Contriving the Image of the Subdued Infidel in Sardinian Altarpieces

      Maria Vittoria Spissu

      págs. 266-295

      

    • Turks in Genoese Art, 16th–18th Centuries: Roles and Images. A First Approach

      Laura Stagno

      págs. 296-330

      

    • The Play of Mistaken Identities at the Porta Nuova of Palermo

      Cristelle Louise Baskins

      págs. 331-354

      

    • Defeating the Enemy: the Image of the Turkish Slave in the Adriatic Periphery of the Papal States in the 18th Century

      Giuseppe Capriotti

      págs. 355-380