Éditée par le Van Abbemuseum d’Eindhoven, sous la direction de Nick Aikens, susan pui san lok et Sophie Orlando, cette publication marque l’aboutissement d’un programme de recherche international porté par l’University of the Arts London.
Proposant une relecture du conceptualisme et de sa supposée résistance aux politiques de l’identité, ce livre détaille les manières dont des artistes conceptuel.le.s se sont emparé.e.s, en Europe, de considérations migratoires, de genre, de classe, de sexe ou de race, après les bouleversements politiques et sociaux de 1968. D’approche intersectionnelle, cette réflexion s’articule autour de quatre focus, respectivement consacrés au travail de Nil Yalter, Stanley Brouwn, David Medalla et Mathieu Kleyebe Abonnenc.
Conceptualism (Introduction): Intersectional Readings, International Framings. Situating "Black Artists & Modernism" in Europe
págs. 4-13
Subversive Practices: Art Under Conditions of Political Repression in 1960s and 1980s South America and Europe
págs. 14-29
págs. 32-35
Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility
págs. 36-53
págs. 54-67
Found and Lost: A Genealogy of Waste?
págs. 68-95
págs. 98-103
págs. 104-123
Speculations: A New Shopping List for Art History
págs. 124-139
págs. 140-161
págs. 164-167
How to Talk about the Work: Discussion on stanley brouwn
págs. 168-183
Strategic Formalism: Stanley Brouwn's 'Identities'
págs. 184-199
Stanley Brouwn and Mathieu Kleyebe Abonnenc, Two Works: A Collective Intersectional Close Reading of Minimalist Gestures, Materials and Situated Bodies Within a Museum Framework
págs. 200-217
Through the Conceptual Lens: The Rise, Fall and Resurrection of Blackness
págs. 218-243
págs. 246-249
Ambivalent Thresholds: David Medalla's Conceptualism and 'Queer British Art'
págs. 250-261
págs. 262-281
Dearly Beloved: Transitory Relations and the Queering of 'Women's Work' in David Medalla's A Stitch in Time (1967-72)
págs. 282-299
David Medalla and Li Yuan-Chia: Conceptual Projects from the 1960s to 1970s
págs. 300-311
págs. 314-317
Allan de Souza and Mohini Chandra: Conceptual Photography Migrations and the Articulation of South Asian Identities
págs. 318-331
Notes on Activist Practices Behind the Iron Curtain: Liberation Theologies, Experimental Institutionalism, Expanded Art and Minor Literature
págs. 332-351
Repositioning Spanish Conceptualisms: New Institutionalims, Coloniality and the Contemporary
págs. 352-369
págs. 372-375
Back in Flow: Mathieu Kleyebe Abonnenc's Inanimate Ancestors Get the Canonical Minimalists to Do the Twist
págs. 376-393
págs. 394-409
Fissuring the Erasures of Historical Violence: Mathieu Kleyebe Abonnenc's Work as a Circular Critique of Colonial Modernity
págs. 410-433
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